Victor Erice

Filmography

Short Films
1961 En la terraza
1962 Entre vias
Paginas de un diario perdido
1963 Los dias perdidos

Feature Films
1968 Los desafios (Episode)
1973 El espiritu de la colmena
1982 El sur
1992 El sol del mebrillo
1996 Celebrate Cinema 101 (episode, video)
2002 Alumbriamento / Lifeline (episode from the film Ten Minutes Older: The Trumpet)

He was born in Carranza, Spain, in 1940. He directed two of the most important films of his country, "The Spirit of the Beehive" and "El Sur". He studied political science before going on to study film at the Instituto de Investigaciones y Experiencias Cinematogrificas from where he graduated in 1963. He worked as a film critic and collaborated on the screenplay for Antonia Eceiza¢s "El Proximo Otono" (Next Autumn) and Miguel Piquazo¢s "Oscuros Suenos de Agosto" (Dark Dreams of August). The producer Elias Querejeta provided Erice his first opportunity to direct by assigning him one of three episodes in "The Challenges". Following his success with "El Sur", Erice became a prolific director of television commercials and worked uncredited on numerous other feature films. In 1992, he reemerged on the film scene with his documentary "The Dream of Light" or "The Quince-Tree Sun". In "Ten Minutes Older - The Trumpet", Erice and his colleagues Herzog, Kaurismaki, Spike Lee, Wenders, Jarmusch and Chen Kaige, were given ten minutes each to bring their own interpretation of "time" to the screen. The film screened at the Cannes Film Festival 2004.

 VICTOR ERICE

 THE CHALLENGES / Los desafios

Direction: Victor Erice
Screenplay: Rafael Azcona, Claudio Gueron, José Luis Egea, V. Erice
Cinematography: Luis Cuadrado
Editing: Pablo G. Del Amo
Sound: Eduardo Fernandez
Sets: Pablo Gago
Music: Luis de Pablo
Cast: V. Erice, Dean Selmier, Daisy Granados, Luis Suarez, Julia Pena
Production: Elias Querejeta Producciones Cinematogrificas S.L.
  35mm Colour 0'
Spain 1968
SUMMARY
A study on human relations as they are determined by power and domination games. Lives and relationships that are governed by passions and the absurd, which destroys human existence. When man is in power, what he actually holds and has on his side is the law. And when he can¢t satisfy his passions, the only way out left to him is flight.

 

(c) 2004 Thessaloniki International Film Festival