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LULU / PANDORA'S BOX
- DAPHNIS AND CHLOE
- FEDRA
- THE FUGITIVE KIND
- THE TESTAMENT OF ORPHEUS
- PHAEDRA
- HERCULES CONQUERS ATLANTIS
- YOUNG APHRODITES
- CONTEMPT
- PROMETHEUS FROM THE VISEVICE ISLAND
- SANDRA OF A THOUSAND DELIGHTS
- THE GOLDEN THING
- THE TRAVELLING PLAYERS
- EURIDICE BA 2037
- IPHIGENIA
- A DREAM OF PASSION
- CLASH OF THE TITANS
- THE YEARS OF THE BIG HEAT
- ENIOCHUS - THE CHARIOTEER
- ANTIGONE
- EDIPO ALCADE
- THAT'S LIFE
- BLADE RUNNER
- VERTIGO
- MOURNING BECOMES ELECTRA
- ORPHEUS
- PANDORA AND THE FLYING DUTCHMAN
- ULYSSES
- HERACLES AND THE QUEEN OF LYDIA
- BLACK ORPHEUS
- ANTIGONE
- ELECTRA
- JASON AND THE ARGONAUTS
- GORGON
- OEDIPUS REX
- ILLIAC PASSION
- THE CANNIBALS
- EDEA
- NOTES FOR AN AFRICAN ORESTEIA
- FOR ELECTRA
- PROMETHEUS IN THE SECOND PERSON
- VOYAGE TO CYTHERA
- ULYSSES' GAZE
- MATRIX
- O BROTHER, WHERE ART THOU?
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JASON
AND THE ARGONAUTS
GREAT BRITAIN, 1963
Directed
by: Don Chaffey. Art Director: Jan Read, Beverly Cross. Director
of Photography: Wilkie Cooper. Special Visual Effects: Ray Harryhausen.
Film Editor: Maurice Rootes. Music: Bernard Herrmann. Cast: Todd
Armstrong (Jason), Nancy Kovack (Medea), Gary Raymond (Acastus),
Laurence Naismith (Argus), Niall MacGinnis (Zeus), Michael Gwynn
(Hermes), Douglas Wilmer (Pelias), Jack Gwillim (Aetes), Honor Blackman
(Hera), John Cairney (Hylas), Patrick Troughton (Phineas), Andrew
Faulds (Phalerus), Nigel Green (Hercules), John Crawford (Polydeuces),
Douglas Robinson (Euphemus), Fernardo Poggi (Castor). Production:
Morningside Worldwide. Production: Charles H. Schneer. Length: 103
min. Colour.
Twenty years after Pelias has deprived his half-brother
Aeson of Thessaly’s sovereignty, Jason, Aeson’s son, demands his
rightful crown. To be rid of Jason, Pelias persuades him to fetch
the Golden Fleece. Jason, an ambitious soul in the full vigour
of youth, cheerfully undertakes the expedition, embarking with
all the princely heroes of Greece in the ship Argo. On the way
the Argonauts are menaced by a bronze Titan, and leave behind Hercules
when he goes in search of his friend Hylas; they next deliver the
blind seer Phineas from the persecution of the Harpies. Approaching
the dangerous Symplegades, two mobile, crushing sea-rocks, they
are saved by the intervention of the goddess Hera, who sends a
Triton to prop up the crumbling rocks. Guided by their new passenger
Medea, priestess-daughter of King Aetes, they at last arrive in
far-off Colchis. Aetes condemns Jason to death, but Medea frees
him and leads him to the grove where the seven-headed Hydra guards
the Fleece. Acastus, Pelias’ treacherous son, dies attempting to
steal the Fleece from Hydra, which is itself slain by Jason. Aetes
retaliates by sowing the Hydra’s teeth, and the armed skeletons
which spring forth from the soil attack the Argonauts. After a
fierce and successful battle, Jason returns to Thessaly with the
Fleece and Medea.
Enjoyable
Enjoyable more for its special effects than for any overall directorial
flair, this action-packed fable has the good sense to rely
on the ample incident provided by the original chroniclers.
The gigantic bronze Titan which rips the Argo to shreds is
one of the film’s very few extraneities, and its jerky movement
belongs to the more pedantic realm of monster movies. Otherwise
the trick-work is both compelling and funny, notably the
fish-tailed Triton dressed in crown, beard and loin-towel,
and the armed skeletons popping up through the ground like
bad-tempered moles. The colour is often bleary; Todd Armstrong
is an uninspiring Jason; the Fleece looks like a bespangled
hearth-rug, and Olympus like an airport control-tower complete
with aqueous television set and bored and bickering staff.
But if anything such shortcomings add to the run of a film
whose tradition is that of Mlis and Flash Gordon rather
than Lang and Siegfried. Bernard Herrmann’s characteristic
score adds a touch of distinction.
"Monthly Film Bulletin", Vol. 30, No. 356, September
1963 |
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