Friday, September 10, 2004
Andrea Parker, dj set, UK
Certainly, Andrea's musical past is a wildly varied one. Her early explorations
with Inky Blacknuss and Two Sandwiches Short of a Lunchbox (a collaboration
with David Morley) were at the cutting edge of experimental leftfield electronica.
Even then, she was also showcasing her vocal skills.
In "Kiss my Arp", her latest album, Andrea paints the bigger picture,
drawing on her experience as an experimental DJ at clubs like Lost and the
legendary, defunct Megatripolis, her love of hard dancefloor techno and her
ear for a classic song, in equal amounts. Which might well be down to growing
up in Yalding, Kent, initially divorced by geography from the club scene until
she grew up and she discovered funk in London hip-hop jams.
Following the release of 'Kiss My Arp', there were tours of Germany and America
which led to Andrea opening for Radiohead on the West Coast leg of their US
tour this year.
Saturday, September 11 2004
Mitchell Akiyama, Canada
A multimedia artist (he teaches visual arts at the University of Quebec), Mitchell
Akiyama is interested in the urban space seen as a natural habitat, an ecosystem,
in the fashion of the encyclopedists of the 18th century. His videos represent
for example empty spaces or urban spots filmed close up with the help of a
micro-surgery camera, and through the subtle interplay of slow motion and superimpressions
he manages to invoke a flowing sensation, something between hypnosis and extreme
lucidity.
The same organic dimension prevails in his music, although it pours out of
the circuits of a laptop. Whether recorded or live, his music is realized through
processing instrumental sources played by himself (piano, guitar) or other
musicians on his latest album "If Night Is A Weed And Day Grows Legs" released
by the prestigious Brussels label Sub Rosa. Seeking to capture and invoke through
various effects the multiple resonances of his instruments, he manages to create
fascinating sonic landscapes, occasionally evoking the music of Sylvain Chauveau
and Christian Fennesz, Erik Satie and Steve Reich (his favorite musician),
My Bloody Valentine and Brian Eno...
Friday, September 17, 2004
Ramon Bauer > Tina Frank, Austria
Ramon Bauer is the founder of Mego - the most important
record label in Austria, which has played a definitive role in establishing
and popularizing the Viennese electronica scene. He has collaborated
with Pete Rehberg, and their work has been published by famous British
Touch label, while he is also a member of General Magic. A pioneer
laptop composer, Ramon Bauer in his live performances seeks electronic
improvisation often materializing through a subtle sense of humor.
Established as one of the most important designers in the world since
the mid-'90's, Tina Frank has created some of the most emblematic
electronic CD covers, logos and t-shirts, while she increasingly
focuses on the production of videos as well as of visuals meant to
create "design for music." She regularly cooperates with
musicians such as Chicks on Speed or Mathias Gmachl, with whom they
have established the audiovisual group Skot.
In Athens, Tina Frank is in charge of the visuals for Ramon Bauer
concert.
Saturday, September 18 2004
Robin Rimbaud > Scanner
Scanner is one of the most eccentric and groundbreaking
personalities in the international electronic scene. Seeking sounds from the
most unexpected sources is his main source for inspiration for "democracy
in music," as he terms his main creative obsession. Characterized as a "sonic
terrorist," Robin Rimbaud heralds future techno-data sonic landscapes whose
transformation and visual flow he personally sees to, creating a multiple sonic
and visual effect that shocks listeners-spectators.
Very interesting for the cinephile audience,
the small tribute to the early phase of Shirley Clarke's work - a great
figure of the American Independent Cinema, famous for her documentaries
on marginal characters in America in the '60's. Shirley Clarke began
her career as a dancer but later turned to film and made a few dance
films influenced by Maya Deren before finding her own personal voice
in the formalist experiments Bridges Go Round and Skyscraper, in which
her vision and personal technique in editing choreographs reality itself.
Since her later documentaries are most characteristic of her work,
these early films are rarely shown.
The following films will be screened:
- Dance in the Sun (1953)
- A moment in Love (1957)
- Bridges Go Round (1958)
- Skyscraper (1959) |