We are all looking forward to the three films that were made as the result of project exchange, the program supporting dance film production that the Thessaloniki Film Festival carries out through VideoDance since 2001.This year the runner-up film was also completed and premieres on September 11 in VideoDance.
The two films made in joint production with the festival to be shown in premiere on September 11 in VideoDance are:

αω
2004, 13'
concept- director: Konstantinos Xatzinicolaou. choreography, Performers: Iris Karayan, Marilena Petridou, Sania Strimbakou, Ioanna Toumbakari. music: ΙLIOS. photography: Tassos Paleoroutas. editing: Dimitris Peponis. set designer: Christina Penna. costume designer: Katerina Sprentzou. producer: Phaedra-Angheliki Papadopoulou. production: Kine group, Thessaloniki Film Festival, VideoDance. Greece
α. αω
β. is
γ. not
δ. a
ε. video
ζ. about
η. greek
θ. alphabet
ι. it
κ. is
λ. a
μ. video
ν. without
ξ. greek
ο. alphabet
π. is
ρ. not
σ. maybe
τ. it
υ. is
φ. a
χ. breath
ψ. without
ω. end

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Tρεις Φορές
2004/ 11'
concept: Stavros Stavridis, Katia Savrami. director, photography, editing: Yiannis Leontaris. choreography: Katia Savrami. performers: Maria Koliopoulou, Dimitra Kritikidi, Yiannis Nikolaidis. original music score: Evaggelos Kokkoris. costumes designer: Thomas Ikonomakos. production: Proschema Dance Company, VideoDance, Thessaloniki Film Festival. Greece
Three times, three positions, three expressions, three people.
Three times the city, three times life. Or perhaps once, again and again, once all three of them make their own space and time by shaping their own city through the encounters of their bodies?

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Batt. Low
2004/ 8'
director: Stefanos Potamianos, Mariela Nestora. choreography: Mariela Nestora. photography: Stefanos Potamianos, Alexis Iosifidis. underwater camera: Kyriakos Pozidis. costumes designer: Αντώνης Βολανάκης. sign designer: Christoforos Brellis. performer: Katerina Bella.
production: Eleni Vlachou. Greece
Batt. Low explores the limits of private and public space. The woman protagonist uses encouraging or forbidding signals in order to exist along others in a noisy and aggressive modern city environment that fails to include her.

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