Tuesday, September 14, 23.00
Bios
Speak, Memory, Speak
by Fanny & Alexander and A.Zapruder filmmakersgroup
freely inspired by "Transparent Things" by V. Nabokov
written by: Chiara Lagani
direction: Luigi de Angelis
photography: David Zamagni, Monaldo Moretti
filming and edit: David Zamagni, Monaldo Moretti, Nadia Ranocchi
musics: Vincent Gallo
sounds and remix: Luigi de Angelis
with: Marco Cavalcoli
production: XING and TTV Festival/Performing Arts on Screen 2002
Speak, Memory, Speak is a recognition on Vladimir Nabokov's literary landscape,
dealing with "apparitions" and their strange ruthless language, with
a superhuman eagerness for reality. It is a video-installation for three screens,
centred on "Transparent Things" by Vladimir Nabokov and on Emil Nolde's
expressionist painting; a superimposition of mental geographies, suspended
landscapes and research on the character.
The young chronophobiac You Person reviews his enormous prenatal abyss (he
himself is a personage of one future fiction), and the even more threatening
one opening wide beyond his conjectural and hypothetical future existence.
He desperately tries to cling to that small scrap of reality provided by this
live video's contingent nature. He is expected to accept these two black emptinesses,
just like he does with the illusory and fleeting vision flashing and flickering
between them. "Imagination, the supreme delight of the immortal and the
immature, should be limited". (V. N.) Do you understand? Hey, you! Person!
Easy, you know, does it!...
Speak, Memory, Speak, a production by Xing/TTV, is
part of the project Italian Landscapes#2 - lounge theatre (Fanny & Alexander/A.
Zapruder filmmakersgroup, Ogi:no Knauss). It premiered on 2002 May 31st in
Riccione, in the context of Riccione TTV festival.
Fanny & Alexander
Fanny & Alexander's theatre is based on absolute fiction, on
a language inclined to lyrical forcings and never abandoned to everyday
words, carved on a marble figurativeness constructing an icy mythology
of feeling and transfiguring literature in a theatrical ultra-world.
Fanny & Alexander give theatre an hallucinogenic, literary and
monumental sign, like an extreme game, adding a sort of tenderness
from the funeral imaginary and a constant courtship of childhood
as a myth.
Fanny & Alexander were born in Ravenna in 1992, founded by Luigi
de Angelis and Chiara Lagani. Among their theatrical productions:
Hevel, morte-transizione ('92), Cantico dei cantici ('93), Ipotenusa
d'amore ('95), Con mano devota (stazione lignea), Ponti in core,
Vita immaginaria di Fanny & Alexander ('96), 150.000.000 Sinfonia
majakovskiana ('97), La felicitˆ di tutti ('98), Sulla turchinitˆ
della fata, Storia infelice di due amanti ('99), Romeo e Giulietta-et
ultra, Mon coeur mis ˆ nu (2000), Requiem (2002), Alice vietato >18
anni, Ardis I (Les Enfants maudits) (2003), Ardis II (2004). They
have won several prizes in Italy and abroad.
A. Zapruder Filmmakersgroup
A. Zapruder Filmmakersgroup consists of David Zamagni, Nadia Ranocchi
and Monaldo Moretti. Zapruder's base of operations is seated in Roncofreddo
(FC), on the pleasant hills by the coast of Romagna.
The concept of domicile's sickness is the starting point in its reflection
on the inside and the way room is occupied, see "Spring Roll" (2001
dvcam/S8) and "Dalia Cactus Hit Parade" (2003 S8/dvcam).
As for the cooperation between Zapruder and the theatre company Fanny & Alexander,
the project on Nabokov's "Ada", consisting of six theatrical
stages with video images (when used) by Zapruder, starts in 2003.
In June 2003 the video-installation "Villa Venus" (15 minutes,
dvcam/S8) makes its dŽbut in Prato. In July 2003 the show "Ardis
I (Les Enfants maudits)" makes its dŽbut at Ravenna Festival
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