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58^th THESSALONIKI INTERNATIONAL FILM FESTIVAL
November 2-12, 2017

 
“INVISIBLE HANDS” TRIBUTE

The diverse aspects of unemployment and work, as well as their impact on society and individuals are tactfully explored in the tribute “Invisible Hands” presented in the 58^th Thessaloniki International Film Festival.

The free-admission tribute showcases 5 films of recent production that will have their Greek premiere in Thessaloniki. The films highlight the various angles of unemployment; from uncertainty and despair to resourcefulness and hope. They also provide an intriguing look on issues such as the economic crisis, modern working conditions, as well as self-management and teamwork.

• David Macián’s The Invisible Hand, the film that inspires the tribute’s title, raises questions about the purpose and meaning of work in an originally subversive fashion. In a remote industrial warehouse, people from different professions perform their tasks in front of an They are forced to become more and more productive. Will they comply or rebel against their mysterious “boss”?

• The impending closure of a factory urges the workers to begin hard negotiations with their employers, during which they find themselves unusually obliged to do nothing. An unpredictable film experience, Pedro Pinho’sThe Nothing Factory (FIPRESCI Award, Cannes FF 2017) is a three-hour idiosyncratic comment on contemporary labour that employs different film genres to reflect on self management and the economic crisis.

• A factory also provides the backdrop for Julie and the Shoe Factory by Paul Calori and Kostia Testut, a working-class musical that blends solidarity, feminism, songs and… shoes. The film introduces us to Julie, a young woman who lands a job in a luxury shoe factory, but soon faces the management’s downsizing plans, as well as the dilemma to back off or join her colleagues’ fight to defend their jobs; a feel good modern fairytale that stresses the importance of team spirit in harsh times.

• Oscillating between drama and comedy, György Kristóf’s Out looks at the peculiar Odyssey of a fifty-year-old family man who loses his job and embarks on a journey from Slovakia to the Baltic in search of a new one. He encounters disappointments, xenophobia and a handful of oddball characters and sinks deeper and deeper into a series of bizarre events.

• Zhanna Issabayeva’s Sveta becomes a social examination of the consequences of unemployment in relation to human morality. The film centres on a desperate woman on the verge of losing her job. Determined as she is to save her apartment, together with her husband they come up with a controversial plan that even involves murder.  

All venues of the screenings of the tribute “Invisible Hands” are accessible.

The tribute “Invisible Hands” is implemented through the Operational Program "Human Resources Development, Education and Lifelong Learning" and is co-financed by the European Union (European Social Fund) and Greek national funds. Its co-funded projects deal mostly with the improvement of education and employment in Greece. Its main targets relate to the development and promotion of human resources skills, activities against unemployment, strengthen social cohesion and social inclusion of vulnerable social groups, improvement of the quality of education & lifelong learning, awareness on environmental education, linking education with the labor market.

The tribute is implemented as part of the anniversary events for the 60 years of the European Social Fund.

This is the second tribute of the Thessaloniki International Film Festival funded by the Operational Program "Human Resources Development, Education and Lifelong Learning".

With the opening of the 58th Thessaloniki International Film Festival approaching, this press release includes the latest news that round-up this year’s communication: the International and FIPRESCI Juries, open discussion, masterclass, parallel events, as well as the complete line-up list.

Alexander Payne & Jean-Marc Barr in the 58th TIFF + New VR Section

58th THESSALONIKI INTERNATIONAL FILM FESTIVAL
November 2-12, 2017 
58th TIFF poster: The concept behind  

The idea of ​​the series of four posters is based on one of the basic elements of cinema and image: the idea of the frame.
 
The film frame is the field of the frame ‘maestro’, the director, who uses it to form the pictures, the shots of the film he envisioned. The frame is part of the reality and also the base of fiction filmmaking. Within its borders, big and small miracles are produced and deduced.
 
Every film frame and every shot "is essentially an artistic product different from the objective reality" [Rudolf Arnheim]. Every film frame and every shot are also time fallacy. According to the father of space-time “The distinction between the past, present and future is only a stubbornly persistent illusion” [Albert Einstein].
 
The photos are taken at the wider area of Thessaloniki (Thermaikos Gulf, western districts, terraces in the city center, pier in Aretsou). They also have the light and the atmosphere of the November festival.
 
Design: Red Creative, Photos: Simos Saltiel

58th THESSALONIKI INTERNATIONAL FILM FESTIVAL
November 2-12, 2017 
INTERNATIONAL COMPETITION
Proposing a subversive approach to cinema: Simone Weil’s The Need for Roots  

“To be rooted is perhaps the most important and least recognized need of the human soul”   
Simone Weil (1909-1943)
 
Each year the International Competition section of the Thessaloniki International Film Festival discovers the boldest new voices of contemporary independent cinema, presenting the first or second films by the most promising filmmakers from all over the world.
 
The concept behind the IC of the 58th TIFF
The International Competition section of the 58th Thessaloniki International Film Festival is comprised of 14 films, three of which are Greek. This year the festival proposes a subversive way to approach the art of cinema, by selecting the IC films in the light of a universal idea and a timeless wish: The Need for Roots, inspired by the seminal book of the same title by the French social philosopher and activist Simone Weil, one of the most iconic intellectuals of the 20th century.
 
The Need for Roots highlights, inter alia, the essential needs of the human soul, the concept of uprootedness, as well as the re-establishment of roots, envisioning a “new culture” based not on power, but on justice and love. Weil’s legacy, praised by Albert Camus and T.S. Eliot among others, is an outstanding social manifesto. An uncompromised idealist, Weil was entirely devoted to experiencing her ideas and she actually identified with the anonymous heroes of everyday life.
 
These heroes are the protagonists in the films of this year’s International Competition section. All films, despite their thematic and stylistic variety, share the aforementioned concept; the need for roots, Weil’s timeless ideas and invincible spirit.
 
The films
The foreign films of the International Competition section are:
 
Beast by Michael Pearce, United Kingdom, 2017, 107’: A young woman falls for a mysterious outsider who may be the suspect of a string of murders, in this striking psychological thriller that takes place in a small island community.
 
Cargo by Gilles Coulier, Belgium-The Netherlands-France, 2017, 91’:  A man slips into a coma, leaving his sons behind with massive debts and responsibilities. A compelling family drama about how desperation can bring a family to the edge of destruction.
 
Closeness / Tesnota by Kantemir Balagov, Russia, 2017, 118’: Based on true events, Balagov’s impressive debut feature delves into the multilayered bonds of a family, following the kidnap of a young couple in Russia’s North Caucasus (FIPRESCI award, Cannes FF 2017).  
 
Life Guidance by Ruth Mader, Austria, 2017, 101’: A dark Orwellian allegory, Mader’s futuristic thriller is set in a dystopian society where a private company named “Life Guidance” corrects the behaviour of those who are not “functional” enough.
 
Lucky by John Carroll Lynch, USA, 2017, 88’ : Harry Dean Stanton’s last film unfolds the main character’s journey of self-exploration like a tender love letter to the actor’s life and career, beautifully crafted by the actor John Carroll Lynch in his directorial debut.
 
No Date, No Signature / Bedoone Tarikh, Bedoone Emza by Vahid Jalilvand, Iran, 2017, 104’: A fine example of the cinema of moral dilemmas, the film centres on a well-respected forensic pathologist who gets involved in a car accident, where an 8-year-old boy is injured, but the following day is found dead.
 
Ravens / Korparna by Jens Assur, Sweden, 2017, 107’: Agne struggles to save his farm, while dreaming that his son will take over. When the two of them clash, it will be late to distinguish the fine line between stubbornness and madness. The first feature film by famous photographer Jens Assur is a dramatic ode to family burden.
 
The Dragon's Defense / La Defensa Del Dragon by Natalia Santa, Colombia, 2017, 80’: A young female director manages to capture the mental trace of aging masculinity through the touching story of three friends who grow old, unable to make any life decisions. Nevertheless, they will have to face reality.
 
The Garden / Sommerhauser by Sonja Maria Kröner, Germany, 2017, 97’:  The smells, colours and sounds of a summer that a bourgeois family spends in their cottage house in 70s Germany, set the tone in a film which skilfully explores memory and family ties. 
 
Those Long Haired Nights / Mga Gabing Kasinghaba Ng Hair Ko by Gerardo Calagui, Philippines, 2017, 72’ - European premiere: The film uncovers a journey to the end of the night, through a gloomy district of Manila, where the only things glowing in the dark are some red lights and the dreams of three transgender women.
 
Winter Brothers / Vinterbrodre by Hlynur Pálmason, Denmark-Iceland, 2017, 94’: The troublesome relationship between two brothers who try to make ends meet is revealed in this slow-burning, tense debut film about the endless winters of family relationships.
 
The three Greek films that complete the line-up will be announced soon.
 
Directors in attendance: John Carroll Lynch, Sonja Maria Kröner, Ruth Mader, Jens Assur, Gerardo Calagui, Gilles Coulier, Vahid Jalilvand, Hlynur Pálmason.
 
The exhibition: “Taking Roots”
The International Competition section is complimented this year by a special exhibition titled “Taking Roots” that will be presented for the first time during the 58th TIFF at the Former Army Warehouse (Peer Α΄, Thessaloniki Port). TIFF invited 14 young Greek artists to watch the films of the IC section, become inspired and create 14 original works –paintings, sculptures, photographs, installations- for each one of the films. The participating artists are: Rania Bellou, Natasa Eftstathiadi, Dimitris Fragakis, Leonidas Giannakopoulos, Chrysanthi Koumianaki, Maria Kriara, Maria Mavropoulou, Kosmas Nikolaou, Yorgos Papafigos, Vassilis Selimas, Anastasis Stratakis, Stefania Strouza, Maria Tsagari and Paky Vlassopoulou. The exhibition is organised by TIFF with the support of the 6th Thessaloniki Biennale of Contemporary Art.